16/04/2017

who what where why ? - my yet to exist career

presentation ideas .. ?

  • how much do I need to reflect on the past two years?
    • I'm not sure how much I can remember...
    • first year? began to engage in the idea of visual language but didn't really get it till now (and I imagine I'll continue to get it more so, as I go on)
    • second year? no print making ever again! working in more sophisticated ways, considerate of atmosphere, feeling within work. PAINTING = YEAH
  • THIRD YEAR
  • necessary/ unnecessary division of practice- personal/ research projects being integral to what I do but I see as a holistic body of work. (I don't see this as a new idea for anyone, but one that is important to me)
  • portfolio -> consistency????? Cox review -> at first inconsistent, but he got the 'feeling' of it and understood. do I want to strip my work down to one thing? (no)
  • engaging in more research driven projects- There Are At Least 1000 Ways To Draw A Tiger and (the currently preliminarily titled) Trees And The Men Who Love Them
  • practical portfolio work
    • books- Penguin, Stratford
    • children's- War Horse, Too Much, Carmelite
    • editorials- (self initiated)
    • small press + self publishing- Thoughtbubble, ELCAF, Kick Don't Twist (Shortbox)
  • MA? not right now. I'd like to be able to afford it. it would be a good asset if I want to teach, but all in all it is something I'd like to do for the real reasons
    • For now I've nicked the idea of "situated illustration" from RCA, and I try to figure it out myself in a very crude way
  • exhibiting? small spaces? taking work to *experimental publishers + spaces* - Nieves, Landfill
  • PPP basics- website, social media, entering annuals like 3x3, mailer riso print, business cards
  • give It's Nice That and Creative Review graduates lists a crack because why not
  • VISUAL SENSIBILITIES?
    • MOVEMENT -> agitation drawings, disregard for anatomy, but respecting it enough to create an image that can be believed, or at least, belief can be naturally suspended
    • painting, flat, colours, overlays
    • that's what moves me right now, but I don't know how long that will soup it up
  • I am optimistic to go forth and not heavily define my work whilst also engaging in commercial sensibilities... but let's see how that is in six months, a year, etc (hahaha)

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