who what where why ? - my yet to exist career
presentation ideas .. ?
- how much do I need to reflect on the past two years?
- I'm not sure how much I can remember...
- first year? began to engage in the idea of visual language but didn't really get it till now (and I imagine I'll continue to get it more so, as I go on)
- second year? no print making ever again! working in more sophisticated ways, considerate of atmosphere, feeling within work. PAINTING = YEAH
- THIRD YEAR
- necessary/ unnecessary division of practice- personal/ research projects being integral to what I do but I see as a holistic body of work. (I don't see this as a new idea for anyone, but one that is important to me)
- portfolio -> consistency????? Cox review -> at first inconsistent, but he got the 'feeling' of it and understood. do I want to strip my work down to one thing? (no)
- engaging in more research driven projects- There Are At Least 1000 Ways To Draw A Tiger and (the currently preliminarily titled) Trees And The Men Who Love Them
- practical portfolio work
- books- Penguin, Stratford
- children's- War Horse, Too Much, Carmelite
- editorials- (self initiated)
- small press + self publishing- Thoughtbubble, ELCAF, Kick Don't Twist (Shortbox)
- MA? not right now. I'd like to be able to afford it. it would be a good asset if I want to teach, but all in all it is something I'd like to do for the real reasons
- For now I've nicked the idea of "situated illustration" from RCA, and I try to figure it out myself in a very crude way
- exhibiting? small spaces? taking work to *experimental publishers + spaces* - Nieves, Landfill
- PPP basics- website, social media, entering annuals like 3x3, mailer riso print, business cards
- give It's Nice That and Creative Review graduates lists a crack because why not
- VISUAL SENSIBILITIES?
- MOVEMENT -> agitation drawings, disregard for anatomy, but respecting it enough to create an image that can be believed, or at least, belief can be naturally suspended
- painting, flat, colours, overlays
- that's what moves me right now, but I don't know how long that will soup it up
- I am optimistic to go forth and not heavily define my work whilst also engaging in commercial sensibilities... but let's see how that is in six months, a year, etc (hahaha)
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