20/02/2016

Geoff McFetridge on Saul Steinberg

http://www.huckmagazine.com/art-and-culture/geoff-mcfetridge-saul-steinberg/

Important bit from the interview that I liked:
"I relate Steinberg’s influence to genetically modified food. Or when you talk about pesticides; a pig eats corn with pesticides and then when you eat bacon those pesticides become part of your cellular structure. I don’t think I exist in a vacuum; the way I have grown up and the things that I am into have curated any influence that I in turn may have.

I like Werner Herzog movies, I like skateboarding, I like David Hockney, but I don’t travel across the world to see a Hockney show. The world is like software – you don’t need to read the instruction manual, you don’t need to be versed, we are all literate in our own world. There was a time years ago when I was trying to be cool. Like, ‘I’m gonna look at hand drawn type in the 1970s,’ and I’d put that in my work like a quotation. Then I thought, ‘How can I look inward and force people to understand me in my own world.’ So that’s what my work is. It’s not in a vacuum – it’s like looking into a bubble. 
...I’m not a deep digger. I like to absorb culture in a very go-to-the-movies sort of way. Like, I love Fugazi but there are Fugazi records that I don’t know. I like to come across things naturally. If I’m drawing a horse I don’t like to look at a horse; I just draw a horse the way I remember the horse. It’s more like invention. It’s the same for me with Steinberg or any artist – I don’t look super deep into their work. I mean, I’ve read his biography, but I see it as, ‘This is my impression of him.’ I don’t want to be the person that knows all of those connections." - Geoff Mcfetridge


15/02/2016

Off the Page: private view

The private view of the exhibition was a really great time. It was so nice to see everything come together and look so professional too.

I wasn't too prepared- I hadn't put much thought into the recommended "elevator pitch" and I regret it! I had someone, very kindly, talking to me about my work in a way that felt like they knew it more than myself. I wasn't very eloquent and almost definitely embarrassed myself, but I also felt quite nervous in that sort of context! I enjoyed the more casual encounters, and generally felt like the show had quite a relaxed atmosphere which was really nice.

The show has also provided some good opportunities for me and others, through the show someone saw mine and others' work and are now in talks about illustrations for a book he is putting together.

Off the Page: PR team!

I think as a team we did a fairly good job! Jazz and Chay acted as team leaders, everyone turned up to the meetings we arranged and stuck to their jobs.

We hit problems when making the poster. Olive made a great lino print design but we ended up not quite knowing what to do with it. We photographed it a few times, but after some feedback we weren't really getting particularly interesting images. We figured we would take it to the photography studio (but couldn't get time or space) or scan it in (it looked weird) so had to work with what we got!

We spent a lot of time messing about with it, almost until the point of hysteria (it had been at the end of a very long day for us all). I don't have any of the old versions but something of an argument did start to break out about colour ways and styling. We put it to Matt and Fred as art directors and did actually end up with a happy medium for both groups.



My job was being part of the social media team for Off the Page, mostly working on the Instagram. It was a little odd running an instagram with a more formal context, and I had to remember that using hashtags and the like is pretty necessary to social media accounts with few existing followers/ made for promotion. There's a balance needed- you don't want to seem too corporate or desperate but also can't be too informal! We chose to just show close ups and crops of the work, to entice but not give too much away. Although lots of great photos were taken at the private view it's hard to put them up as there's a lot of mostly faces and people might not want to be up there! And strangers to the LCA 'gang' may not be interested either.

 


I'm not sure how successful the instagram has been in terms of attracting more customers/ visitors to the show- promoting it on an account which already has a lot of (local) following, such as the Colours May Vary IG page might have had more impact, but it definitely serves as a nice little archive if anything. The instagram page will continue running until the end of the exhibition. After all, it doesn't stop just after the private view!

03/02/2016

Sad Mag presentation



(something went very wrong with the text on some slides when I uploaded them to Issuu and I'm not sure why!!)

I was by no means 'good' but as presentations go I was quite ok at it! I do really think my public speaking skills are improving as I do more- I'm less shaky and forget less words- but I don't think I'll ever by any means enjoy them. Jack wasn't able to make it to the presentation so we gave the finance speech in his absence. I'm not sure we got as much detail as we should have done, or he would have, as the finance was none of ours' strengths but we were very thankful to have his script and information there for us to use!

Strengths:
  • the visuals of the presentation nicely matched the aesthetic of our publication
  • I think we managed to give it a level of humour to match Sad Mag but also keep it dry enough to be a presentation about the business itself
  • Sad Mag is very much about its ethos and it needs to be carefully handled. I think we discussed this enough in our presentation, particularly in the manifesto and "what are we about" slides.
  • Sad Mag itself is a viable and unique business opportunity

Weaknesses:
  • We very almost forgot to talk about the 'USP' of Sad Mag so I improvised it on the day, so I'm not sure it came across as clearly as it could have been. I feel very foolish that I forgot about it as surely it is the biggest part of creating a business, and why we wanted to create Sad Mag so much!
  • I wonder if we should have explained the content more, and if it was understandable to the audience what Sad Mag would actually be. We discussed the ethos a lot (which is important) but maybe not so much of the content. Perhaps we should have mocked up an actual article?
All in all it's been a very fun project and I'm beginning to see how PPP can really be beneficial. Sad Mag has been a great experience and I would really like to see this idea come to fruition, even if it's on a smaller scale.

02/02/2016

Sad Mag presentation script

SAD MAG PRESENTATION:

TOGETHER: We are Sad mag!!!

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SOPHIE ES: How sad are you? Sad Mag takes a sideways look at the grimness of modern life. Sad people value the ‘just ok’ because sometimes that is enough.

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SOPHIE K: Together we are the saddest magazine not yet on shelves.

<everyone introduces themselves>

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MOLLY: Sad Mag is a publication that celebrates the mediocre, the bleak and champions the underdog that will never win.

We believe in salty laughs at our own expense and nobody getting hurt.

We’re bring together stories, art and reader contributions to make the sad a little sweeter.

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SOPHIE ES: Sad Mag is for the 21st century introspectives, inward looking individuals who appreciate a well made piece of melancholy.

We aim to produce a really well made magazine with a strong focus on good design, cohesive art direction- made for the people who appreciate publications not just as magazines but art objects.

This guy

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SOPHIE K: Sad Mag is a quarterly publication that will adopt a new theme every month. This would form the basis of our content and what we ask from our readers to contribute.

Examples of themes include, “what I found on the internet”, “a grand day out”, “the seaside” and “giving and receiving”

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AMY: As well as having regular photography features, comics, written articles and illustration we will also have other features, such as a sad playlist, a sad recipe, a letters page and a reader’s photo of the month.

There will be contributions from readers in the form of letters, photos and images but these will be voluntarily free.


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MOLLY: To start with, Sad Mag is going to be a relatively small endeavour. Each of us will work part time alongside our ‘other’ illustrative careers to produce the content and to run it.

We will work from our own spaces and meet together in our spaces, whether we’re individually working from home, or a studio, or other.

We will also take advantage of the internet to communicate with one another, and also to our readers. As there isn’t a physical space to send post at this point, readers will use social media and email via our website.

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JACK: <finance monologue>

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SOPHIE K: To begin with Sad Mag will be issued in a run of 1000 and will be distributed to independent bookshops and galleries within the UK’s major cities. If there is good reception we will increase print runs.

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MOLLY: In this day and age it seems a mistake to not have an online presence. We plan to have a website, that would be the most formal of the online presences. It would have information about the publication but also how you could get hold of it.

We would run an online shop through a third party such as Big Cartel, which would stock the magazine and our merchandise. We would distribute this between us.

SOPHIE ES: Sad Mag will also have a social media presence, on Instagram, Facebook, Twitter and Tumblr. They will all contain snippets of content from the physical publication but not give too much away.

There will also be opportunities, particularly with tumblr for readers to contribute their own content.

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AMY: We will be using Awesome Merch to create t-shirts and tote bags and another company such as Made By Cooper to create enamel badges possibly.

SOPHIE K: The merchandise wouldn’t just be the logo plastered on to objects, but more in keeping and tied with the aesthetic and ethos of Sad Mag. We believe this gives them more marketability, and people who don’t even read Sad Mag could still enjoy them.

<amy + sophie discuss their merch designs>

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SOPHIE ES: Sad Mag may be small but it doesn’t mean that it can’t get bigger.

In the future we hope to expand, be it paying other people to make content for the magazine, being full time ourselves employing more staff or just making the publication bigger.

One day we may have our own space, our own printing and distribute  and advertise internationally.